Detroit’s ‘Get out of Bankruptcy Free’ Card

Aaron M. Renn’s reflections on the implications of Detroit’s bankruptcy are worth reading, especially as relate to the DIA, a topic of some previous interest over the last year or so: In the case of the DIA, the city owns the museum and the collection. Continue Reading...

Redeeming Culture Means Buying Back the DIA

Christians often talk a big game about “redeeming” the culture. I think the current dilemma facing the Detroit Institute of Arts (DIA) amid the city of Detroit’s bankruptcy provides a great opportunity to back up that talk with something concrete. Continue Reading...

Redeeming the DIA

Most commentators, apart from Virginia Postrel and the like, seem to think that it would be tragic for the city of Detroit to lose the art collection at the Detroit Institute of Arts (DIA) in the city’s bankruptcy proceedings. Continue Reading...

Plan to Privatize the DIA Still Alive

Earlier this year I argued for a plan that would privatize the DIA, allowing for the City of Detroit to cash in on a measure of the collection’s worth to satisfy creditors and simultaneously protect the DIA’s artwork from being parceled out in bankruptcy proceedings. Continue Reading...

Barbarians at the Gates of the DIA

The travails of Detroit’s bankruptcy and the implications for the Detroit Institute of Arts (DIA) continue to garner speculation about the place of art in society and the value of the DIA to the city, both now and in the future. Continue Reading...

The DIA, Public Art, and the Common Good

In today’s Acton Commentary, “It’s Time to Privatize the Detroit Institute of Arts,” I look at the case of the DIA in the context of Detroit’s bankruptcy proceedings. One of my basic points is that it is not necessary for art to be owned by the government in order for art to serve the public. Continue Reading...