Beyoncé and the Neglected Downtrodden

Given that contemporary pop music is stagnant, Beyoncé’s country-inspired album Cowboy Carter was bound to be something of a sensation. Its chief significance is not aesthetic—the recordings are simultaneously too slick and underdeveloped. Continue Reading...

Man and Machine in World War II

Tom Hanks was the moral conscience of America in the ’90s, so far as Hollywood was concerned, and audiences largely concurred, because he’s like a new Jimmy Stewart: he exudes moral integrity and childlike innocence. Continue Reading...

Dune: Part Two and the Death of Freedom

Those who went to Dune: Part Two expecting a happy ending must have left the theater rather confused. For those unfamiliar with Frank Herbert’s groundbreaking sci-fi novels, the story of a young prince whose father is killed by a rival family and who must rally a bunch of oppressed rebels to stand against tyrants so as to claim his rightful kingship must have signaled to them that they were getting a rousing hero story such as found in Lord of the Rings, Star Wars, and Harry Potter. Continue Reading...

The Curse of The Iron Claw

Four decades ago, the American director Robert Aldrich made the most cheerful, companionable, and charitable movie ever produced about professional wrestling. Against all expectations, Aldrich—the grand master of the grotesque on the basis of such cartoonishly misanthropic masterpieces as Kiss Me Deadly, What Ever Happened to Baby Jane? Continue Reading...

Going My Way: An Enduring True Fairy Tale

Every Christmas, I try to write about Christmas movies, especially about old Hollywood, because the best directors at the time considered it worthwhile to make movies that would chastise and cheer up the nation, indeed remind people of the spirit of Christmas and thus try to fit Christianity into the new entertainment that dominated the American imagination. Continue Reading...