Midnight Mass: There is no feast on a fast

Near the beginning of the Netflix series Midnight Mass, released in late 2021, an Ash Wednesday service is faithfully shown, complete with a young priest’s effective and moving sermon, explaining the ashes as “a smudge of death, of ash, of sin—for repentance—because of where this is all heading, which is Easter. Continue Reading...

The Scottish play comes alive in imaginative new Joel Coen film

Who needs another version of Macbeth on film? You may find yourself asking this question with the release of director Joel Coen’s The Tragedy of Macbeth, which stars Denzel Washington in the title role and, in the part of Lady Macbeth, Coen’s seemingly ubiquitous wife, three-time Academy Award winner Frances McDormand. Continue Reading...

The French Dispatch is a nostalgic look back at a Paris of the imagination

I offer you a series on Hollywood as seen by its artists, on the occasion of the impending Oscars. I don’t mean the dominant liberal arrogance that has doomed cinema, but rather the efforts of artists who have spent their careers trying to advance a view of America that might bring us together, or at least help prevent us coming apart, the concern of all decent people who have influence. Continue Reading...

Don’t Look Up looks down on you

The techno-gossip that passes for objective knowledge these days assures us that the Netflix movie Don’t Look Up was watched extensively—more than 321.5 million hours streamed. Does that mean about 150 million people around the world watched it? Continue Reading...
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