Titus Techera is the executive director of the American Cinema Foundation.
Posts by Titus Techera
February 08, 2022
My first Oscars essay presented Wes Anderson, the Hollywood dandy’s Francophilia,
The French Dispatch, and gentle criticism of liberal intellectual pretense. The 2022 Oscar contenders also include an examination of American Italophilia—veteran Ridley Scott’s
House of Gucci, as full of today’s stars as Anderson’s movies are of yesteryear’s.
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February 01, 2022
I offer you a series on Hollywood as seen by its artists, on the occasion of the impending Oscars. I don’t mean the dominant liberal arrogance that has doomed cinema, but rather the efforts of artists who have spent their careers trying to advance a view of America that might bring us together, or at least help prevent us coming apart, the concern of all decent people who have influence.
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January 25, 2022
Fair play and the rule of law are essential conditions of our civilization, regulating private and public life. We would be ashamed to look for success, prosperity, victory without them. People whom we suspect of unfair dealings or illegality stand to lose everything concerning their reputation, to say nothing of what authorities might do to them.
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January 19, 2022
The techno-gossip that passes for objective knowledge these days assures us that the Netflix movie
Don’t Look Up was watched extensively—more than 321.5 million hours streamed. Does that mean about 150 million people around the world watched it?
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January 13, 2022
Peter Bogdanovich has died, America’s only famous chronicler of Old Hollywood, a young friend of Orson Welles and an admirer of John Ford, and a director in his own turn of celebrated dramas like
The Last Picture Show (1971), a coming-of-age story about bored kids who don’t like their small town and have only their good looks to recommend them, a Hollywood specialty that won him Oscar nominations for Best Director and Best Screenplay, and
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January 06, 2022
Elizabeth Holmes has been found guilty on four of 11 federal charges of wire fraud and conspiracy, after promising revolutionary blood test technology from her corporation, Theranos. The promised disruption was something people desperately wanted and still want: cheap, quick blood tests, requiring only a finger drop of blood.
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December 31, 2021
Christmas movies tend to be sentimental, to emphasize the struggles that define our society and our souls, but ultimately they are hopeful and even joyful. Humanity triumphs at the end of the story—for evidence, read my series of essays on
The Bishop’s Wife,
The Shop Around the Corner,
Christmas in Connecticut, and
Miracle on 34th Street.
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December 23, 2021
My Christmas movies series has hitherto considered church (
The Bishop’s Wife), work (
The Shop Around the Corner), and family (
Christmas in Connecticut), the communities that constitute America.
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December 17, 2021
I continue my series on old Hollywood Christmas movies. After a movie about church as a community,
The Bishop’s Wife(1947), and the workplace as a community,
The Shop Around the Corner (1940), I turn to a movie about family, the smallest but most natural community:
Christmas in Connecticut (1945), starring Barbara Stanwyck, one of the great Hollywood stars, Sydney Greenstreet (the Fat Man from
The Maltese Falcon and
Casablanca), and Dennis Morgan.
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December 09, 2021
I began a series of essays on Christmas movies last week with
The Bishop’s Wife (1947), a story about church, the community of the faithful, and spiritual responsibility. This week, I’m writing about a less lofty subject, the community of the workplace and the life of commerce, but a much better movie,
The Shop Around the Corner (1940), one of the classics of old Hollywood, directed by Ernst Lubitsch and starring Jimmy Stewart and Margaret Sullavan as shopkeepers who fall in love over Christmas.
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