I don’t explore it in the review, “Capital Vices and Commercial Virtues,” but for those who have been following the antics of Banksy, there is a similar performance artist character in the novel that has significance for the development of the narrative.
As I write in the review, the vice of envy, captured in the foreboding phrase, “We Want What You Have,” animates the book. Capital “provides a richly textured and challenging narrative of the challenges of affluence, the temptations of materialism and envy, and the need for true human community expressed in a variety of social institutions.”
I note the insights of my friend and colleague Victor Claar in the review, and for a more thorough academic engagement of the ethics and economics of envy, check out our co-authored paper recently accepted for publication in Faith & Economics, “Envy in the Market Economy: Sin, Fairness, and Spontaneous (Dis)Order,” as well as my piece slated to appear in Philosophia Reformata, “The Moral Challenges of Economic Equality and Diversity.”