Chuck Dixon, the comic book writer who created Bane in the 1990’s, did not like the idea of comparing his villainous creation to Romney. Calling himself a “staunch conservative,” Dixon said that Bane is more of a “Occupy Wall Street type” and Romney is more like Bruce Wayne, a billionaire philanthropist out to save his city.
Advocates of the rhetoric of class warfare have their work cut out for them in trying to use “The Dark Knight Rises” to turn the masses against the 1%. Bane becomes what I call a kind of “Che Guevara on steroids” in this film.
My own take on “The Dark Knight Rises” is up over at the Comment magazine site, “Batman from Below,” and I explore how Batman/Bruce Wayne represents the 1% in a variety of ways, making him “a remarkably apt vehicle for reflection on the dynamics of contemporary society and an image for sacrificial love.” Economically Batman is even in the 1% of the 1%!
The basic conflict between Bane and Wayne is the central dynamic of the film, as Wayne and Batman have withdrawn from their larger public responsibilities. As I conclude, “Bane becomes the demon that haunts a society that forgets this fundamental lesson, and Batman becomes the only one who can exorcise this scourge on Gotham City.”
But how Batman accomplishes this, and what it means for everyone, is what is really worth considering. “‘The Dark Knight Rises’ is in fundamental ways about the profoundly destructive consequences of individuals, whether of the 1% or the 99%, thinking that they do not have positive social obligations towards their neighbors,” I write.
Or as Ben Domenech writes, “There’s always something you can do.”