In this week’s Acton Commentary, “Work and Prayer: Of Coins, Sheep, and Men,” I explore what the parable of the Prodigal Son (when read in conjunction with the parables of the Lost Coin and the Lost Sheep) has to teach us about stewardship:
Reading these three stories together teaches us many things about the nature of God’s love for us, such that when we were lost, “While we were still sinners, Christ died for us” (Romans 5:8 NIV). But the stories also provide models for how we should relate to the different aspects of God’s created order, from the material, to the animal, to the human. In each kind of relationship, humans have a definite role to play. In some cases we are called to work actively to achieve God’s purposes in the world. In other cases, out of respect for human freedom and individual sovereignty, we have to engage in active searching for the lost things of this world by less direct means.
The Parable of the Lost Son has been the subject of popularization and cultural expression throughout the centuries (see, for instance, Tissot’s set of paintings on “The Prodigal Son in Modern Life”). In recent decades, films like Legends of the Fall (1994) have drawn at least partial inspiration from the story. In this week’s commentary, I don’t have space to treat the case of the elder brother adequately, but Andrée Seu draws parallels between the elder brother in the 1994 film and the tale of the Prodigal Son.
I also draw on C. S. Lewis’ essay, “Work and Prayer,” which appears in the collection of essays, God in the Dock.